OMG 2 Movie Review: Pankaj Tripathi Shines in a Thought-Provoking Entertainer

In a world where cinema often balances mere entertainment and thought-provoking narratives, “OMG 2” manages to find a delicate equilibrium. The film, a sequel to the acclaimed “Oh My God” (2012), takes a plunge into realms both divine and human, delivering a mix of comedy, culture, and societal critique. While Akshay Kumar‘s portrayal of Lord Shiva captures attention, it’s Pankaj Tripathi who truly steals the show.

Set against the backdrop of Ujjain, the sacred city of Mahakal, “OMG 2” delves into a pressing issue that’s often hidden in the shadows – the need for comprehensive sex education. The narrative unfolds through the life of Kanti (Pankaj Tripathi), a devout follower of Lord Shiva, and his son Vivek (Aarush Varma), who becomes a victim of bullying and misinformation regarding sex education.

Akshay Kumar, donning the role of Shiva, adds a touch of magic to the screen. His presence, although not as omnipresent as in the original narrative due to Censor Board intervention, still carries weight. The iconic dialogue “rakh vishwaas, tu hai Shiv ka daas” resonates powerfully.

Kanti’s journey as a father who transforms from rebuke to support in the face of his son’s struggles is heartwarming. The film navigates the courtroom drama expertly, drawing parallels to its predecessor. Pankaj Tripathi’s performance shines brightest, giving Kanti a perfect blend of emotion and rationality. His interaction with the divine, portrayed through riddles and shlokas, is both humorous and enlightening.

Director Amit Rai deftly uses humour to engage the audience, raising questions about the historical perception of “Kam vidya” (sex education) in Hindu texts. A stand-out moment is Akshay Kumar’s rendition of “Tu ghar aja pardesi,” subtly referencing cinematic competition.

Pankaj Tripathi’s Kanti also battles societal discrimination, spotlighting class differences and the struggle of a “Mahakal bhakt” in a class-driven society. His portrayal resonates with authenticity and simplicity, making him a relatable protagonist.

While the film shines a spotlight on the necessity of sex education, it does raise a few unaddressed questions. School bullying, an integral issue, receives limited attention. The film’s focus on reshaping the education system is commendable, yet familial roles in sex education remain overlooked.

“OMG 2” navigates this delicate subject without being preachy, emerging as an insightful yet entertaining piece of cinema. It reminds us that addressing important issues doesn’t require rude gestures but rather thoughtful discourse. The film’s intention to inspire positive action is evident, and it serves as a reminder to speak the truth in a way that resonates with all ears.

In conclusion, “OMG 2” may not hit as hard as its predecessor, but it successfully brings together humour, history, and societal critique, led by Pankaj Tripathi’s remarkable performance. The film sparks conversations about the need for holistic sex education while celebrating the power of parental support in navigating life’s challenges. As the curtains draw, “OMG 2” leaves a lasting impression, urging us all to strive for the right conversations and actions.

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